It’s been a week, y’all.
I got two short story rejections two days in a row. One of those rejections wasn’t even emailed to me–I had to go to the online submission portal to check on the story, where I found that actually, it had been rejected two and a half months ago, two days after I’d submitted it. If I did get an email, it got eaten by my spam folder. So that was fun.
Rejections suck. I know all the platitudes–not every story is right for every journal, the market is super saturated, part of the trick is finding the right fit, persistence is key, et cetera. These platitudes abound in academia, too, where I spent the last decade of my life.
I could write a lot of words about how the platitudes work in academia, but I won’t, because I don’t want to put myself in too bad of a mood. But one thing that academia has that the short story fiction market doesn’t is built-in peer reviews.
In academia, when you submit an article for publication, the editor may reject it outright. But most often, the article gets sent out to two separate reviewers, who read and critique your work and provide a recommendation to the editor regarding the article’s potential for publication. These recommendations usually comprise four options: reject, revise and resubmit, accept with minor revisions, and accept.
When your work comes back with a revise and resubmit, you receive comments on your work from each reviewer, and in some cases, an additional set of comments from the editor synthesizing the reviewers’ concerns and making specific suggestions for where to focus your revision efforts.
You don’t get that with short story submissions.
If you’re lucky, you might get some feedback on your story, but I haven’t seen any yet. Then again, I haven’t been actively submitting my short fiction for very long.
I’m not saying that the academic peer review process is perfect. There are a number of reasons why it’s not, but I’m not going to go into them here. It’s just that I wish the fiction writing… world… had a better mechanism for giving and receiving constructive criticism of your work.
I know these mechanisms exist. There are sites like Scribophile, which I have used and like, for the most part. And there are people you can pay to provide feedback on your writing. Most of the writing coaches I’ve found, though, focus on critiquing book-length manuscripts and perfecting your query letters and pitches to editors. And they’re expensive.
As they should be. I know first-hand that providing quality, detailed, useful feedback on people’s writing is difficult, time-intensive labor. I’ve done it. I did it for ten years. On academic writing, but still.
However, paying for critique services is an investment I don’t currently have the finances to do. Especially when I’m writing on spec, as much of/most fiction writers do. Every story you put out into the world, every minute you spend writing and revising and submitting and resubmitting is a financial risk. When do you decide to throw in the towel on a particular story and start with something fresh?
So that’s why my current strategy amounts a bit more to receive rejection, immediately resubmit to next venue. Don’t revise, just keep submitting. Just keep swimming. Just keep swimming. And then get back to writing.
So this week, I received two story rejections, but I submitted three stories.
I resubmitted the two rejected stories at different venues, and then I ended up writing an entirely new piece based on a new journal I’d found that none of my current finished pieces fit. I needed something shorter, so I wrote something shorter. And submitted it.
And now I’m blogging.
Just keep swimming. Just keep swimming.
Just keep writing.